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Chris Klimek & Glen Weldon. TV & Film. 4.9 • 68 Ratings. SILVER STREAK with Ronald Young Jr. SILVER STREAK with Ronald Young Jr. Pop some vitamin E before listening, because it's gonna be hug 'n' munch all the way to Chicago! Solvable host Ronald Young, Jr. joins Glen and Chris to examine Silver Streak, ostensibly a hybrid romantic thriller / buddy comedy that gave the world the long-running Gene Wilder/Richard Pryor screen partnership and was a huge hit upon its release in 1976. America's bicentennial anum was a great a year for movies, more despite Silver Streak than because of it, but hey, the movie features a loveably smarmy Columbo-era Patrick McGoohan as the despicable villain. Along with a lot of trite and, by contemporary standards, deeply offensive comedy. Choo choo! Write to the Citizens Advice Bureau at adegreeabsolute dot gmail! Leave us a five-star review with your hottest Prisoner take on Apple Podcasts! Music and Lyrics by Chris Klimek Arranged by Casey Erin Clark and Jonathan Clark Vocals and Keyboards by Casey Erin Clark Guitar, Percussion, Mixing by Jonathan Clark THE SCARECROW OF ROMNEY MARSH with Margaret H. Willison THE SCARECROW OF ROMNEY MARSH with Margaret H. Willison On February 9, 1964, Ed Sullivan introduced a band from Liverpool, England formerly known as The Quarrymen to an estimated 73 million viewers of his primetime CBS variety show. And down the dial on NBC, the anthology series Walt Disney's Wonderful World of Color drew an audience of something less than 73 million for the first installment of its three-part The Scarecrow of Romney Marsh, an adaptation of Russell Thorndike and William Buchanan's novel Christopher Syn starring our man Patty McG as an 18th century man of the cloth* by day/masked-smuggler-by-night who helps the common people by... paying their taxes, we think? Using the funds he earns from smuggling brandy and tobacco. He also helps them elude the pressgangs who roam the marsh looking for reasonably able-bodied youngish men to abduct into King George III's Royal Navy.
A shift in the Earth's polarity plunges the equatorial regions of the planet into an ice age of -459 degrees Fahrenheit; a temperature so cold that energy ... A shift in the Earth's polarity plunges the equatorial regions of the planet into an ice age of -459 degrees Fahrenheit; a temperature so cold that energy and light doesn't exist. Weather Tech(as Chris Rosamond) Production, box office & more at IMDbPro Fatal Lessons: The Good Teacher Once absolute zero (-459.67 degrees F) is attained, all gases and liquids turn into their solid states. In that most gases liquefy before hitting absolute zero (Carbon-Dioxide at -109.3 degrees F, Nitrogen at -209.9 degrees F, Oxygen at -368.77 degrees F), the Earth should be flooded by its liquefied atmosphere before turning solid once absolute zero is reached. David: It's time to throw out all the history books and rewrite everything ever written about the ice age, because science is never wrong. Referenced in Best of the Worst: Our DVD and Blu-ray Collection (2019) Published by Dream Control Music/SOCAN I rented this gem knowing it was a Day After Tomorrow clone. I expected it to be campy and bad. The special effects were hilarious and just bad. Some times it would be an entire CG shot that looks like some freshman's work with making a 3D model at art school. Though the best part of the movie is the constant statement that "Science is Never Wrong." If I was playing a drinking game I would have been plastered by the end of this movie. Even the little kid in the movie said science is never wrong. The physics in this movie are laughable at best. The idea that the last ice age started 10,000 years ago and lasted 1000 years is hilarious.
Jan 8, 2008 ... Now it became possible to measure degrees of hot and cold. Like the air in Boyle's experiment, heat makes most substances expand. Early ... HOMETV SCHEDULESUPPORTSHOPWATCH ONLINETEACHERSPODCASTSRSS PBS Airdates: January 8 and 15, 2008 NARRATOR: The greatest triumph of civilization is often seen as our mastery of heat, yet our conquest of cold is an equally epic journey, from dark beginnings to an ultracool frontier. For centuries, cold remained a perplexing mystery, with no obvious practical benefits. Yet in the last 100 years, cold has transformed the way we live and work. Imagine supermarkets without refrigeration, skyscrapers without air conditioning, hospitals without MRI machines and liquid oxygen. We take for granted the technology of cold, yet it has enabled us to explore outer space and the inner depths of our brain, And, as we develop new ultracold technology to create quantum computers and high speed networks, it will change the way we work and interact. How did we harness something once considered too fearsome to even investigate? How have scientists and dreamers, over the past four centuries, plunged lower and lower down the temperature scale to conquer the cold and reach its ultimate limit, a holy grail as elusive as the speed limit of light? Absolute Zero, up next on NOVA. Major funding for NOVA is provided by David H. Koch. And... Major funding for Absolute Zero is provided by the National Science Foundation, where discoveries begin. Additional funding is provided the Alfred P. Sloan Foundation, to portray the lives of men and women engaged in scientific and technological pursuit. Major funding for NOVA is also provided by the Corporation for Public Broadcasting and PBS viewers like you. Thank you.
Quick plot: The earth's magnetic field switches polarity in a matter of hours, causing the temperature in Miami to drop to zero degrees Kelvin! This movie ... Absolute Zero--It's All in the Title I like disaster films. It's comforting and entertaining to watch the world suffer imaginary cataclysmic events from the safety of one's couch. On the screen, everything goes kapow. Yet, the bowl of parmesan popcorn is within easy reach of my greedy paw and a cold beer froths in a mug. I sat through this film bored and annoyed, however. This is the kind of movie that begs the question: why make bad movies? Why go through the expense and the trouble when, given the effort, the results are so unaccountably awful? What is it exactly that propels unscrupulous producers, untalented directors, and third-rate actors to collaborate on cinematic ventures that never should have seen the light of day? Who makes the decisions to bring such aberrations to life and who stands the most to gain from them? Adam Sliwinski and Michael D. Jacobs, director and producer respectively, and the many actors of limited craft who participated in this film, all of you should be embarrassed to have this dreck floating about. 28 out of 30 found this helpful. Was this review helpful? Sign in to vote. "The Day After Tomorrow" without a budget It's difficult to say where to start with this movie... The terrible script, the cartoon-like effects, the horrid acting, the stupid premise, the aging playboy playmate, the complete lack of scientific probability... Take away the hand full of things that were good about "The day After Tomorrow" and pile on a clichéd script and no money, this is what you will get.
Aug 17, 2021 ... Also, am I the only person on this dang podcast who respects Eastwood as an artist? Sure, I hated his film Richard Jewell, and I said in my 2019 ... undefined is not an object (evaluating 't.loadTranslations') A DEGREE ABSOLUTE! EPISODE TWENTY-TWO — ESCAPE FROM ALCATRAZ I wish I knew you actually painted this portrait of Patrick McGoohan’s sadistic, unnamed warned, attributed in the 1979 film Escape From Alcatraz to the character of Doc as played by Roberts Blossom. Maximum Fun? More like maximum security! Maximum Fun podcast network founder and San Francisco native Jesse Thorn joins us this week to tunnel through the crumbling walls of Escape From Alcatraz, the 1979 Clint Eastwood-starring dramatization of the real 1962 prison break, featuring Patty McG as…The Warden. Stunt casting doesn’t get any stuntier, though Glen and I differ on exactly how much The Artist Formerly Known Only as Number Six contributes to the 115-minute picture in his roughly 10 minutes of screen time. Also, am I the only person on this dang podcast who respects Eastwood as an artist? Sure, I hated his film Richard Jewell, and I said in my 2019 review that the then-89-year-old’s make-a-movie-every-year working tempo may have contributed to the declining quality of his ouvre. But you can’t just dismiss the guy who made Unforgiven and A Perfect World and Bird and so many others, outside of the westerns and cop thrillers and middling airport novel adaptations that his name conjures up. I never saw The Mule, but I heard he has not one but two threesomes in that movie, which my parents saw at the cheap seniors-only early-afternoon weekday show. That’s reason enough for me to choose anything else from his 45-film, 50-year feature film directing resume next time I feel like clearing up one of my Eastwood blind spots.